FOR IMMEDIATE
RELEASE
OH THE WEIGHT OF IT ALL
A Rooftop Media Installation Show
August 25th & 26th 2006 (Rain Dates: September 1st & 2nd)
Rooftop, 210 Cook St. Bushwick, Brooklyn. Exhibition opens at sundown
each evening.
On August 25th & 26th Ian Epps, Darrin Martin, Shana Moulton,
Blithe Riley, Eva Teppe, and JD Walsh present a series of looping
video and sound works designed specifically for rooftop installation.
Centered on the theme “gravity,” the works collectively
comment on the physical and psychological impact this invisible force
has on human navigation and perception.
Sound artist Ian Epps premieres his new sound sculpture,
Untitled in which balloon-like ‘Ashrams’ float
suspended in the air. Headphones link the listener to the object broadcasting
Epps’s new original compositions. The piece is both meditative
and metaphorical evoking an illustrative study of an individual’s
personal sanctuary, dream-like states of emotional release, and the
conflict of being firmly planted to the ground.
Darrin Martin’s new work was initially inspired
by a book-on-tape version of James Gleick’s Isaac Newton
bought at a truck stop. His video Sensorial Principia, “celebrates
the specialization of knowledge through the rubbing of an iconic pinnacle
of scientific achievement against the artistic ambivalence of the human
body.” Martin’s work questions the access points, as well
as the goals of the producers and distributors of human knowledge.
Shana Moulton’s video Inside the Mountain
Where Everything is Upside-Down presents an interior space that
resembles a familiar domestic setting but exhibits physical properties
that defy the laws of nature. Household rituals meant to reduce stress
trigger a disruption in the space-time continuum, causing objects in
the room to have supernatural properties. The bewildered protagonist
unsuccessfully attempts to restore natural order to the space until
she accepts its irrational logic.
Blithe Riley’s site-specific video projection
uses looping repetition to highlight the labor of repetitive action.
In Wat(h)er Fall, a performer moves through an old twenty-foot
metal frame defunct water tower base, in an endless and goalless journey.
The journey is broken into time frames, mirrored by the structural frames
that dissect the physical object.
In Half Asleep, Eva Teppe works with various
modes of extremely decelerated motion. By manipulating footage of “base-jumpers”
performing their skydives, the artist dispels all sense of the danger
posed by such reckless leaps. The “base-jumper” is made
to look like a diver gliding through a fluid biotope, giving the impression
of a sleepwalker, This mood is further heightened by the soundtrack
composed by Finnish musician Mika Vainio.
In JD Walsh's Weekend, leisurely city dwellers
engage in various weekend activities. The electronically removed background
emphasizes and exaggerates the mundane tasks that we know as "free
time". Actions become unhinged from their environments, gestures
freed from governing laws of physics and society. For Oh, the Weight
of it All Walsh presents "Weekend (reprise)",
a two-channel version, in which these gestures are presented alongside
those found in interior spaces, further complicating role of the body
in and out of doors.
ARTIST BIOGRAPHIES
Ian Epps is a Sonic/Visual Artist whose explorations
are invested in how an object speaks, utters, and dissolves itself within
its given surroundings. His work has been exhibited in the Walker Art
Center, Lovebytes Biennial (Sheffield, UK), A.I.R. Gallery (NYC), EYEDRUM
(Atlanta, GA), and SIGGRAPH 2004 (Los Angeles, CA). He has performed
alongside and in collaboration with Rafael Toral, Andrew Deutsch and
Pauline Oliveros, Ogurusu Norihide, among many others. Epps’s
recent releases can be found on SoftL Music, Grain of Sound, Powershovel
Audio, On;(do), and Seasonal.
Darrin Martin’s videos and performances have
shown internationally at festivals and museums including the MOMA, the
DIA Center for the Arts, Los Angeles Museum of Contemporary Arts, Pacific
Film Archive, and the European Media Art Festival in Germany. His installations
have exhibited at venues such as The Kitchen and WRO Media Arts Biennale
in Poland. Martin also frequently collaborates with Torsten Zenas Burns
building diverse speculative fictions around reimagined educational
practices. Their videotapes are distributed by Vtape in Toronto.
Shana Moulton’s videos feature her character
Cynthia who has psychic adventures with her home décor, and whose
orthopedic dresses reveal her anxieties and strange inner fantasy worlds.
These videos are distributed by Electronic Arts Intermix as part of
their emerging artist series. Her work has screened at exhibitions and
festivals in Pittsburgh, New York, Toronto, Amsterdam, Paris, the United
Kingdom, Germany and Sweden. Moulton attended the Skowhegan School of
Painting and Sculpture and just completed a two-year residency at De
Ateliers in Amsterdam.
Blithe Riley is an artist working with video, performance
and installation. Her work has been screened nationally an internationally
at venues such as Hallwalls Contemporary Art Center in Buffalo, NY,
Pittsburgh Filmmakers, The Warhol Museum, and Regina Miller Gallery,in
Pittsburgh, PA as well as The European Media Arts Festival, in Germany.
Riley received an MFA from Carnegie Mellon University in 2005. In addition
to her own work, she has organized and programmed video screenings since
1998, including the formation of Press Play Video Series in Pittsburgh,
PA.
Eva Teppe currently resides in New York for a one-year
studio scholarship from the Hess Cultural Foundation. Her latest video
work was screened at a group show called Portraits - The View Behind
The Make-Up at the Gallery Anita Beckers Frankfurt (Germany). In
2005 she participated at the ARS Electronica Linz listening between
the lines. Teppe’s film and video regularly shows at international
film and video festivals including the 33rd International Film Festival
Rotterdam (NL), Transmediale Berlin (D), 16th Onion City Experimental
Film and Video Festival, Chicago (USA), and European Media Art Festival,
Osnabrück (D), 25. Filmfestival Max Ophüls Preis, Saarbrücken
(D)).
John Daniel Walsh is an artist based in Brooklyn. He
received his BFA from Alfred University and an MFA from Bard College.
His work has been included in group and solo shows internationally.
In 2005, his piece Life Expectancy Test was on view at the
Metropolitan Museum of Art, as part of Tony Oursler’s Studio:
Seven Months of my Aesthetic Education. His solo show Display,
was held at Solomon Projects gallery in Atlanta. His video sculpture
Weekend was purchased by the High Museum of Art in 2003, and
his work has been reviewed in Sculpture Magazine, Art Papers Magazine,
New Art Examiner, and the Atlanta Journal-Constitution.
He has taught at the Cooper Union School of Art, Atlanta College of
Art and at New School University’s MA program in Media Studies.
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